Context of the Research

The core of my research centres on crafting jewellery that serves as a tangible remembrance of departed loved ones, deeply rooted in the reverence for the Amadlozi - ancestors who continue to play a crucial role in guiding and protecting us within the Nguni culture. My jewellery focuses on creating wearable mini sculptural pieces, portraying the faces of departed family members. This connection allows individuals to feel a continuous bond with their ancestors. The mini portrait sculptures also serve as a vessel for impepho (incense), traditionally used in communicating with ancestors for guidance, protection, or seeking blessings amidst life's uncertainties.

 

Although my jewellery-making process involves rich Zulu rituals specific to ancestor communication, my vision extends to making these pieces accessible beyond those who strictly adhere to these beliefs. I believe that while not everyone may subscribe to the idea of ancestral reverence, many view their departed loved ones as guardian angels. Hence, my work aligns with this sentiment, much like cremation jewellery that holds ashes or hair as a way to remain close to those who have passed. However, my approach differs by providing sculptural mini-faces with impepho or incorporating hair and ashes, ensuring a profound sense of closeness to the departed.

 

In the Nguni culture, the sacrifice of animals such as cows, goats, or rams plays a significant role in ceremonies related to Amadlozi, signifying tribute through the offering of blood spilled from these animals. This aspect deeply influences the symbolic nature and ritualistic significance of my jewelry-making process.

(UAI)